emaograjensek

• “Intentional Suns: Towards an Aesthetics of the Outside”, ŠUM Journal, iss. 25 (Dec 2025) / Unreality Mode Vol. II

• “Gute Nacht <3”, Literatur und Kritik, no. 583-584 (May 2024) / Krank, Salzburg: Otto Müller Verlag

• “Your Inventory is Full!” in Nika Kupyrova, 2023, HXWXD, Vienna: Verlag für moderne Kunst

• “The Snare is Set / Past je nastavljena”, in: Čiček, T., Yıldız, S. (eds.), 2023, Soft Critique, Ljubljana: Društvo ŠKUC

• “Operative Trace, The conspiratorial art of Andrej Škufca”, PASSE-AVANT, 19. 9 .2023

• “Threatening Tips and Protective Films”, PASSE-AVANT, 25. maj 2022

• “Eco-libidinal Horror of the Exhibition Space”. In: Čerčnik, I., Hodošček, M. (eds.), 2022, Festival Račka 2022. Po resničnih dogodkih. Prostori in artikulacije seksualnosti, 1990-2022, group exhibition, 14. 1.-17. 4.2022, exhibition catalogue, Celje: Galerija sodobne umetnosti, Likovni salon, Galerija Račka.

• “Feeling Myself – Self-feeling and the Forking of the Path”. in: Albert, M., Bencke, I. (eds.), 2022, ART4MED, Art meets health and biomedical research. ART2M & Laboratory for Aesthetics and Ecology.

• “The Hyperemotional Complainer (The Parasite and Its Double)”, ŠUM Journal, iss. 18 (Apr 2022) / Generative Horizons

• “On Imminent Weather”, Review of Unendliche Vorhersage at Fünfzigzwanzig Gallery, Blok Magazine, 20. januar 2022

• “Beware of Still Water”, ETC. Magazine, iss. 1 (Spring 2022) / Significantly Local

• “This Machine is Running, Ira Konyukhova, 21. 11. 2021 – 4. 2. 2022”, exhibition text, Suzie Shride, Vienna

• “Kvir re-konstrukcija slovenske umetnosti. Začetni koraki: čas, prostor, osebno.” in: Sosič, S. (ed.), 2021. NAJ bo kvir! Razstava LGBTIQ+, 16. 9. –21. 11. 2021, ehibition catalogue, Ljubljana: Muzej in galerije mesta Ljubljane, Mestna galerija

• “Miami Beach, New York, Basel …”, Maska Journal, vol. XXXVI., iss. 205-206 (Winter 2021) / Episodes of Illness

• “Swoosh – Ana Mrovlje, Občasno človek, 1. – 30 . 9. 2021”, exhibition text, Kresija Gallery, Ljubljana

• “Soda” commissioned for Plaza Protocol, curated by Tjaša Pogačar in collaboration with ŠUM Journal and Projekt Atol (Mar 2021)

• “Tongueney”, Maska Journal, vol. XXXV, iss. 200bb (Fall 2020) / Actualities, pp. 102–112

• “Rubber Boats and Plastic Islands“, Review of Lukáš Likavčan’s Introduction to Comparative Planetology, BLOK Magazine, 19. oktober 2020

• “No, I Don’t Cry on the Outside Anymore”, on the underwater sound of contemporary pop, Šum Journal, 11. 3. 2020

• “Maja Smrekar, Beyond Domesticity”, Fotograf Magazine vol. 19, iss. 35 (Mar 2020)

• “Nika Kupyrova and Ekaterina Shapiro–Obermair, Otherwordly, 11. 2. – 28. 2. 2020″, exhibition text, Ravnikar Gallery Space, Ljubljana

•  “Shifts / Verschiebungen. A conversation between Ema Ograjenšek and Nicole Prutsch”, in: Nicole Prutsch, 2020, Beyond the Measuring Principle, Berlin: Distanz Verlag 

• “Vstop prost – na sledi razširjeni koncepciji lokalnega”, in: Puncer, M., Džakušič, A. (eds.), 2019, VSTOP PROST, 20 let festivala urbanih umetniških akcij v Celju. Borec, vol. LXXI, iss. 772–774 (2019)

• “You Make It Hard to Have a Good Time”, ŠUM#12: Threshold Ecologies (Nov 2019)

• “ASCII, Vuk Ćosić” and “Zastave / Flags, Lenka Đorojević” in: Havránek, V. (ed.), 2020, Živo in mrtvo = Dead and alive / 9th Triennial of Contemporary Art U3, Museum of Modern Art, 10. 10. 2019 – 12. 1. 2020, exhibition catalogue, Ljubljana: Moderna galerija

• “Volpone in njegovo telo intrige”, in: Volpone, Ben Jonson, Stefan Zweig, theatre program of the Ljubljana City Theatre, vol. LXX, iss. 3 (2019/2020)

• “Dobrodošli v moji industriji”, review of My Nature performance and sculptural installation Swelf, Kriterij, 10. 5. 2019

• “Topike – nekaj primerov intermedijske umetnosti”, Neodvisni, 6. januar 2019

• “Fever Theory”, ŠUM Journal, iss. 10.1 (Nov 2018)

• “Cut the Cords”, all-over | Magazin für Kunst und Ästhetik, iss. 13 (Nov 2017)